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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Comics The Upside Downs of Little Lady Lovekins and Old Man Muffaroo - At the house of the writing pig by Gustave Verbeek containing ambigram sentences, 1904 Drawing of reversible female face by Rex Whistler , with ambigram ¡OHO! . 180° rotational symmetry.
John Langdon (born April 19, 1946) is an American graphic designer, ambigram artist, painter, and writer. [1] [2] Langdon has been a freelance artist specializing in logos, type, and lettering since 1977. [3] [4] [1] He retired from teaching in Drexel University's graphic design program in November 2015 after 27 years of service. [5] [4]
The aesthetic appearance is more difficult to design when a changing ambigram is intended to be shown in one way only, because symmetry generally enhances the visual appearance of artwork. Technically, there are two times more combinations of letters involved in a hetero-ambigram than in a homo-ambigram. For example, the 180° rotational ...
Ambigram: a word which can be read just as well mirrored or upside down; Blanagram: rearranging the letters of a word or phrase and substituting one single letter to produce a new word or phrase; Letter bank: using the letters from a certain word or phrase as many times as wanted to produce a new word or phrase
Islamic geometric patterns such as this girih tiling in the Darb-e Imam shrine in Isfahan, are precursors of algorithmic art. [3]Roman Verostko argues that Islamic geometric patterns are constructed using algorithms, as are Italian Renaissance paintings which make use of mathematical techniques, in particular linear perspective and proportion.
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The original design was enhanced and improved upon by me. I had provided the directions like the colour in which the calligraphy will appear. The technical work was carried out by my friend Ajit Sawant in the year 1998. The image lacked a sharpness to it, which was later provided to it by Shyam Shingare, again under my supervision in 2003.