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The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [1] and was included as item 21 in the BBC Radio 4 series A ...
A low relief carving of a Viking ship Carving tools and a mallet. In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely.
The Memorial to Robert Gould Shaw and the Massachusetts Fifty-Fourth Regiment is a bronze relief sculpture by Augustus Saint-Gaudens opposite 24 Beacon Street, Boston (at the edge of the Boston Common). It depicts Colonel Robert Gould Shaw leading members of the 54th Regiment Massachusetts Volunteer Infantry as it marched down Beacon Street on ...
Pictorial representations of the Jesse Tree show a symbolic tree or vine with spreading branches to represent the genealogy in accordance with Isaiah's prophecy. The 12th-century monk Hervaeus expressed the medieval understanding of the image, based on the Vulgate text: "The patriarch Jesse belonged to the royal family, that is why the root of Jesse signifies the lineage of kings.
The " dinosaur of Ta Prohm " [1] is a bas-relief in the Khmer Empire temple-monastery of Ta Prohm. Numerous reliefs of various different animals are present in the temple; the "dinosaur" is one of its more ambiguous artworks. The relief first gained modern notoriety in the late 1990s when the lobe-like features running down the animal's back ...
In another compartment a bas-relief 2.5 feet (0.76 m) in diameter has carvings of a male and female; the male is Yaksha carrying a sword and the female is Apsara with a flying veil. The succeeding panel has carvings of two small figures and the panel at the end is carved with lotuses. [29]
Bas-reliefs are individual figures, groups of figures, or entire scenes cut into stone walls, not as drawings but as sculpted images projecting from a background. Sculpture in bas-relief is distinguished from sculpture in haut-relief, in that the latter projects farther from the background, in some cases almost detaching itself from it.
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
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