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Canon began developing a still video system as early as 1977 following a secret presentation from Texas Instruments (TI). Processing the image data from a CCD sensor into a digital file would have required a supercomputer at the time, so a strategic decision was made to use analog recording methods, and Canon recruited Sony and other manufacturers to create a standard format, resulting in the ...
Whichever container is used, the video itself is not re-encoded and represents a complete digital copy of what has been recorded onto tape. If needed, the video can be recorded back to tape to create a full and lossless copy of the original footage. Some camcorders also feature a USB 2.0 port for computer connection. This port is usually used ...
These recorders connect to a camcorder via FireWire and do not recompress HDV video, offering exactly the same image quality as if video were recorded on tape. JVC offers two FireStore recorders made by Focus Enhancements: the HDD-based DR-HD100 [ 35 ] and MR-HD100 [ 36 ] on-camera recorders; it also offers the SxS -based KA-MR100G [ 37 ] recorder.
Its cartridges, resembling larger versions of the later VHS cassettes, used 3/4-inch (1.9 cm)-wide tape and had a maximum playing time of 60 minutes, later extended to 80 minutes. Sony also introduced two machines (the VP-1100 videocassette player and the VO-1700, also called the VO-1600 video-cassette recorder) to use the new tapes.
Canon XL2 with some peripheral attachments, including wireless microphones and external monitor. The Canon XL-2, released in 2004, is Canon's prosumer 3CCD standard-definition camcorder. The XL-2 is the big brother to the GL family and the successor of the similar looking Canon XL-1s. It is succeeded by the Canon XL-H1 with a similar 20x lens ...
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AMPEX quadruplex VR-1000A, the first commercially released video tape recorder in the late 1950s; quadruplex open-reel tape is 2 inches wide The first portable VTR, the suitcase-sized 1967 AMPEX quadruplex VR-3000 1976 Hitachi portable VTR, for Sony 1" type C; the source and take-up reels are stacked for compactness. However, only one reel is ...
A 14-inch reel of 2-inch quad videotape compared with a modern-day MiniDV videocassette. Both media store one hour of color video. The first commercial professional broadcast quality videotape machines capable of replacing kinescopes were the two-inch quadruplex videotape (Quad) machines introduced by Ampex on April 14, 1956, at the National Association of Broadcasters convention in Chicago.
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