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The first version was for solo piano, written in 1873–74. This was not published, and is catalogued as S. 185a. In about 1875 Liszt arranged it for piano four hands (S. 612a). This was also not published. The version for solo piano (or harmonium) was revised 1874–76 (S. 186) and the version for piano four hands was revised 1876-81 (S. 613).
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H 8 Totentanz: pf orch 1847–53 Orchestral, piano
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Anschütz based his text on a 16th-century Silesian folk song by Melchior Franck [citation needed], "Ach Tannenbaum". In 1819 August Zarnack wrote a tragic love song inspired by this folk song, taking the evergreen, "faithful" fir tree as contrasting with a faithless lover. The folk song first became associated with Christmas with Anschütz ...
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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