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Part of the World Music Network Rough Guides series, the release covers the music of Ethiopia, focusing largely on 1960s pop. [1] The compilation was curated by Francis Falceto, who also produces Buda Musique's Éthiopiques series. [2] Phil Stanton, co-founder of the World Music Network, was the producer. [3] [4]
The Rough Guide to the Music of Ethiopia is a world music compilation album originally released in 2012.Part of the World Music Network Rough Guides series, the release contains two discs: an overview of the music of Ethiopia—focusing mainly on 21st century pop—is found on Disc One, while Disc Two features dub-style musician Invisible System. [1]
Ethiopian songs (1 C, 4 P) Ethiopian styles of music (1 C, 1 P) Pages in category "Music of Ethiopia" The following 15 pages are in this category, out of 15 total.
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases.
He went on to pursue a formal education in music at Holy Trinity College in London. Astatke was interested in promoting traditional Ethiopian music to Western audiences. Beginning in 1958, he also studied jazz at Berklee College of Music in Boston. There, he successfully combined Ethiopian music with Western jazz and rhythms, conceiving "Ethio ...
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
The result is an album that has been referred to as a fusion between traditional Ethiopian melodies and "blessed-out" electro-jazz. [10] Several have described the music as psychedelic, with the Washington City Paper calling the album a "thoroughly psychedelic interpretation of traditional acoustic Ethiopian music."
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