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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem Vohu (/ ˈ ʌ ʃ ɛ m ˈ v ɔː h uː /, Avestan: 𐬀𐬴𐬆𐬨 𐬬𐬊𐬵𐬏 aṣ̌əm vohū) is the second most important manthra, and one of the most important prayers in Zoroastrianism. [1] It is dedicated to Asha, a Zoroastrian concept denoting truth, order or righteousness. [2]
Central to Zoroastrianism is the emphasis on moral choice, to choose the responsibility and duty for which one is in the mortal world, or to give up this duty and so facilitate the work of druj. Similarly, predestination is rejected in Zoroastrian teaching and the absolute free will of all conscious beings is core, with even divine beings ...
The Chinvat Bridge (Avestan: 𐬗𐬌𐬥𐬬𐬀𐬙𐬋 𐬞𐬈𐬭𐬈𐬙𐬏𐬨 Cinvatô Peretûm, "bridge of judgement" or "beam-shaped bridge") [1] or the Bridge of the Requiter [2] in Zoroastrianism is the sifting bridge, [3] which separates the world of the living from the world of the dead.
The Bundahishn (Middle Persian: Bun-dahišn(īh), "Primal Creation") is an encyclopedic collection of beliefs about Zoroastrian cosmology written in the Book Pahlavi script. [1] The original name of the work is not known. It is one of the most important extant witnesses to Zoroastrian literature in the Middle Persian language.
He then began work on his book Zurvan, a Zoroastrian Dilemma, a study of the pre-Islamic religion of Iran. [8] [9] Zaehner enjoyed "a prodigious gift for languages". He later acquired a reading knowledge of Sanskrit (for Hindu scriptures), Pali (for Buddhist), and Arabic (for Islamic). [10] In 1939 he taught as a research lecturer at Christ ...
In Zoroastrian scripture, Mithra is distinct from the divinity of the Sun, Hvare-khshaeta (literally "Radiant Sun", from which the Middle Persian word Khorshed for the Sun). However, in Zoroastrian tradition, Mithra evolved from being an all-seeing figure (hence vaguely associated with the Sun) into a divinity co-identified with the Sun itself ...
In this Persian work Partaw Nama and his main Arabic work Hikmat al-Ishraq, Suhrawardi makes extensive use of Zoroastrian symbolism [22] and his elaborate angelology is also based on Zoroastrian models. [22] The supreme light he calls both by its Quranic and Mazdean names, al-nur al-a'zam (the Supreme Light) and Vohuman (Bahman).