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"Hit the Lights" is the second single by English recording artist Jay Sean, featuring American rapper and labelmate Lil Wayne and produced by OFM production team J-Remy and Bobby Bass. It was released to UK as a digital download to iTunes on 4 February 2011, [ 1 ] and to US radio stations and as a digital download to iTunes on 8 February 2011 ...
"Hit the Lights" is a song by American band Selena Gomez & the Scene from their third and final studio album When the Sun Goes Down (2011). The song was written by Leah Haywood , Daniel James and Tony Nilsson , while production of the song was handled by Haywood and James under their production name Dreamlab .
All songs are written by Hit the Lights; The track "Until We Get Caught" was featured on the video game Madden NFL 07, [22] with the album title shortened to This Is a Stick Up…. There is an acoustic hidden track, at 8:42 on "Make a Run for It". On iTunes, the hidden track is released separately as "Acoustic", and "Make a Run for It" is only ...
On November 1, 2011, Hit the Lights released the 3-track Invicta EP which featured three new songs that would appear on their third full-length album. On January 31, 2012, Hit the Lights released their third studio album, Invicta. Former singer Colin Ross joined the band in December 2012 for their east coast tour and the Glamour Kills Holiday ...
The Billboard Adult Top 40 chart ranks the most popular songs on Adult Top 40 radio stations in the United States, based on airplay detections as measured by Nielsen BDS and published weekly by Billboard. These are the songs which reached number one on the Adult Top 40 chart during the 2020s.
Hit the Lights are an American pop punk band. Hit the Lights may also refer to: "Hit the Lights" (Metallica song), from Kill 'Em All, 1983; Hit the Lights (India Tour Edition), a 2011 compilation album by Jay Sean; Hit the Lights (Japan Edition), a 2011 compilation album by Jay Sean "Hit the Lights" (Jay Sean song), 2011 "Hit the Lights ...
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As it stands, Invicta is Hit the Lights' ultimate bid for mainstream acceptance and also the quintet's strongest album to date". [2] Andy Ritchie of Rock Sound gave the album a 6/10 rating, said "the album marks the return of one of the most understated but best-loved pop-punk behemoths of the last five years, although it sadly doesn’t quite ...