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The development of Ingres paper for drawing is ascribed to the French Neoclassical artist Dominique Ingres (1780-1867), although modern Ingres papers can differ from those actually used by Ingres. Ingres paper's pattern is a laid mesh. The laid effect creates a toothy grain of close lines on one side and a mottled surface on the reverse. The ...
Ingres, 1832 study on black charcoal and graphite on paper. Musée Ingres, Montauban. Ingres was self-critical and consumed by self-doubt. He often took months to complete a portrait, [12] leaving large periods of inactivity between sittings. With Bertin, he agonised in finding a pose to best convey both the man's restless energy and his age.
Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə / ANG-grə; French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style.
Laid paper is a type of paper having a ribbed texture imparted by the manufacturing process. In the pre-mechanical period of European papermaking (from the 12th century into the 19th century), laid paper was the predominant kind of paper produced. Its use, however, diminished in the 19th century, when it was largely supplanted by wove paper. [1]
Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm.. This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). ). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orien
The work was intended as a demonstration of Ingres' mastery of the human figure in classical history painting – Odysseus is shown in a red cloak derived from a sculpture by Pseudo-Phidias. The painting is in the neo-classical style and belongs to the school of Jacques-Louis David , in whose studio Ingres had trained.
Ingres, The Death of Leonardo da Vinci, c. 1817. Ingres first conceived of the work in a wash drawing he submitted to Louis-Joseph Coutan in the 1820s. [5] Ingres made several alterations to the original wash drawing, including extending the format horizontally by adding a piece of paper on the left. [5]
Madame Moitessier is a portrait of Marie-Clotilde-Inès Moitessier (née de Foucauld) begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres.The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1936.