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Zosimos of Panopolis (Greek: Ζώσιμος ὁ Πανοπολίτης; also known by the Latin name Zosimus Alchemista, i.e. "Zosimus the Alchemist") was an alchemist and Gnostic mystic. He was born in Panopolis (present day Akhmim, in the south of Roman Egypt), and likely flourished ca. 300. [2]
This text originally comes from a lecture delivered by Jung at the Eranos Conference at Ascona, Switzerland in 1937. It was revised and expanded in 1954. [5] Much of this chapter is devoted to a translation of Zosimos of Panopolis's The Treatise of Zosimos the Divine concerning the Art, an important alchemical text from the 3rd century CE.
In the visions, Zosimos encounters a priest who changes into "the opposite of himself, into a mutilated anthroparion". [5]: 60 The Greek word "anthroparion" is similar to "homunculus" – a diminutive form of "person". Zosimos subsequently encounters other anthroparia in his dream but there is no mention of the creation of artificial life.
The next edition is that by Reitemeier, who, though he consulted no fresh manuscripts, made good use of the critical remarks of Heyne and other scholars (Leipzig, 1784). Bekker produced a reliable edition in 1837 at Bonn. There is a German translation by Seybold and Heyler, and also an English and a French translation. (Schöll, Gesch. d. Griech.
Mary or Maria the Jewess (Latin: Maria Hebraea), also known as Mary the Prophetess (Latin: Maria Prophetissa) or Maria the Copt (Arabic: مارية القبطية, romanized: Māriyya al-Qibṭiyya), [1] was an early alchemist known from the works of Zosimos of Panopolis (fl. c. 300) and other authors in the Greek alchemical tradition. [2]
Petrus Bonus (Latin for "Peter the Good"; Italian: Pietro Antonio Boni) [1] was a late medieval alchemist.He is best known for his Precious Pearl (Latin: Margarita Preciosa) or Precious New Pearl (Margarita Preciosa Novella), an influential alchemical text composed sometime between 1330 and 1339. [2]
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Aurora consurgens is a commentary on the Latin translation of Silvery Waters by Senior Zadith (Ibn Umayl).It also refers to the Song of Songs, especially in its last (7th) parable (de confabulatione dilecti cum dilecta), which draws closely on it, in main parts paraphrasing it.
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