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Black Orpheus won the Palme d'Or at the 1959 Cannes Film Festival, [9] the 1960 Academy Award for Best Foreign Language Film, [24] and the 1960 Golden Globe Award for Best Foreign Film, and was nominated for the 1961 BAFTA Award for Best Film. In the last case, Brazil was credited together with France and Italy.
Orpheus and Eurydice, a ballet choreographed by Dame Ninette de Valois with music by Gluck (1941) [6] Orpheus, a ballet made by choreographer George Balanchine to music by Igor Stravinsky (1948) Orpheus in the Underworld, an album by Don Shirley (1956) Orpheus, a song by New York Rock & Roll Ensemble, from Reflections (Manos Hatzidakis album ...
Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [56] Orpheus is said to have established the worship of Hecate in Aegina. [57] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [58] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
People described with words meaning "black", or as Aethiopes, are occasionally mentioned throughout the Empire in surviving writings, and people with very dark skin tones and tightly-curled hair are depicted in various artistic modes. Other words for people with other skin tones were also used. [citation needed]
In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
When Orpheus descends and confronts Hades and Persephone, he sings a song so that they will grant his wish to bring Eurydice back from the dead. After this song is sung, Ovid shows how moving it was by noting that Sisyphus, emotionally affected for just a moment, stops his eternal task and sits on his rock, the Latin wording being inque tuo ...
"Manhã de Carnaval" ("Carnival Morning"), often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro [ 1 ] by French director Marcel Camus .
The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice.