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The swan was "cemented in the imagination as a creature of romance for a whole generation of impressionable working class suburban kids". The anthropomorphic projection may not have been entirely random; [2] swans are believed to take a mate for life, and the graceful white birds might symbolize monogamous felicity. [2]
Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The Boyhood of Raleigh; Bushel with ibex motifs
So simple pointed oval shapes for the eyes, triangles for the nose, ears and cat's mouth are characteristic of this painting. The bird shows a similar wavy reduced line in the drawing to the eye area of the cat and is reminiscent of Klee's depictions of the graphic meaning of the active, medial and passive lines in their curved form. [4] [5] [6 ...
Lawrence A. "Larry" Bird or Larry Littlebird (born 1941) is a United American Kewa Pueblo/Laguna Pueblo painter, filmmaker, actor and writer from Santo Domingo, New Mexico. [ 1 ] [ 2 ] He has utilized ink and tempera in his works, which often display a loose, abstracted style.
[13] [30] [50] McQueen's love of birds was represented in feathered skirts, avian-themed embroidery, and a headdress made from taxidermied hawks that emulated a bird attack from the film The Birds. [45] [51] [52] Equally, the collection drew on the aesthetics of madness, imprisonment, and medicine. [45]
The rosy-faced lovebird is a fairly small bird, 17–18 cm (6.7–7.1 in) long, with an average wing length of 106 mm (4.2 in) and tail length of 44–52 mm (1.7–2.0 in). [4] Wild birds are mostly green with a blue rump. The face and throat are pink, darkest on the forehead and above the eye.
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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
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