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The downward-pointing black triangle used to mark individuals considered "asocial". The category included homosexual women, nonconformists, sex workers, nomads, Romani, and others. The downward-pointing pink triangle overlapping a yellow triangle was used to single out male homosexual prisoners who were Jewish.
Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [ 1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males. The malu takes its name from a particular motif of ...
Tattoos are known as batok (or batuk) or patik among the Visayan people; batik, buri, or tatak among the Tagalog people; buri among the Pangasinan, Kapampangan, and Bicolano people; batek, butak, or burik among the Ilocano people; batek, batok, batak, fatek, whatok (also spelled fatok), or buri among the various Cordilleran peoples; [2] [3] [11] and pangotoeb (also spelled pa-ngo-túb ...
Kakiniit. Kakiniit ( Inuktitut: ᑲᑭᓐᓃᑦ [kɐ.ki.niːt]; sing. kakiniq, ᑲᑭᓐᓂᖅ) are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes. Men could also receive tattoos but these ...
Sicanje. Drawing of a Bosnian tattooed woman from the late 19th century. Sicanje or bocanje was a widespread custom mostly among Roman Catholic Croat teenage girls and boys of the central regions of Bosnia and Herzegovina, as well as the Dalmatia region of Croatia. [ 1][ 2] The practice, which has been widespread among Albanians (see Albanian ...
One logo features blue spiral-shaped triangle surrounded by a larger triangle, represents an pedophile who is attracted to boys. A variation of this logo features rounded corners to resemble a ...
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
Tattoos were symbols of tribal identity and kinship, as well as bravery, beauty, and social or wealth status. They were also believed to have magical or apotropaic abilities, and can also document personal or communal history. Their design and placement varied by ethnic group, affiliation, status, and gender.
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