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In harmony with the Indian association of dance with apsaras, Khmer female figures that are dancing or are poised to dance are considered apsara; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called devatas.
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Apsara, Devi Jagadambi temple at Khajuraho in Madhya Pradesh, India. The most ancient descriptions of apsara portray them as "water nymph"-like beings. [16] The Rigveda tells of an apsara who is the wife of Gandharva; however, the Rigveda also seems to allow for the existence of more than one apsara. [14] The only apsara specifically named is ...
"Khmer theatre of the ancient style"), a term alienating it from its royal legacy. [7] [8] Khmer classical dancers, as a whole, are frequently referred to as apsara dancers by laymen; this usage would be incorrect with the modern form of the dance, as the apsara is just one type of character
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An Apsara carving at Angkor Wat.. Earlier Khmer art was heavily influenced by Indian treatments of Hindu subject. By the 7th century, Khmer sculpture begins to drift away from its Hindu influences – pre-Gupta for the Buddhist figures, Pallava for the Hindu figures – and through constant stylistic evolution, it comes to develop its own originality, which by the 10th century can be ...
The effect of Khmer culture can still be seen today in those countries, as they share many close characteristics with current-day Cambodia. [ 1 ] [ 2 ] The Tai borrowed from the Khmer many elements of Indianized Khmer culture, including royal ceremonies, customs followed at the court, and especially the Indian epic Ramayana, which influenced ...
Angkor National Museum is an archaeological museum dedicated to the collection, preservation and presentation of Angkorian artifacts, also to provides information and education about art and culture of Khmer civilization, with collections mainly dated from Khmer Empire's Angkor period circa 9th to 14th-century.