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Kerrang! ranked the song number 5 on its 20 Greatest Metallica Songs Ranked list, commenting, "Echoing Ride The Lightning's superb Fight Fire With Fire in its medieval-tinged acoustic opening before bombing headlong into a masterclass in lean, taut thrash metal, Battery was the fine-tuned statement of intent from a band ready to make their ...
Acoustic enhancement is a subtle type of sound reinforcement system used to augment direct, reflected, or reverberant sound. While sound reinforcement systems are usually used to increase the sound level of the sound source (like a person speaking into a microphone, or musical instruments in a pop ensemble), acoustic enhancement systems are typically used to increase the acoustic energy in the ...
Sound intensity, also known as acoustic intensity, is defined as the power carried by sound waves per unit area in a direction perpendicular to that area, also called the sound power density and the sound energy flux density. [2] The SI unit of intensity, which includes sound intensity, is the watt per square meter (W/m 2).
Sound power or acoustic power is the rate at which sound energy is emitted, reflected, transmitted or received, per unit time. [1] It is defined [2] as "through a surface, the product of the sound pressure, and the component of the particle velocity, at a point on the surface in the direction normal to the surface, integrated over that surface."
The recommended reverberation time is always a function of the volume of the room. Several authors give their recommendations [10] A good approximation for broadcasting studios and conference rooms is: TR[1 kHz] = [0.4 log (V+62)] – 0.38 seconds, with V=volume of the room in m 3. [11]
The song's lyrics attempt to detail the singer's emotions when in the presence of the person he or she loves. There is also an expression of frustration by the singer that he or she cannot manage to tell that person of his or her love. The song was produced using the "Wall of Sound" method of Phil Spector. [3]
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"White Room" Cream: Joker is taken by the police's car and driven on the city streets, before the car crash, where he is rescued by the mob. [66] 15 "Murray's Theme" Judson Crane and Mark S. Hollingsworth Murray Franklin enters the scene, live on television. [57] 16 "Murray's Late Night" Bill O'Connell: The theme for Murray Franklin's late ...