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Bishop asserts that "it is impossible to overlook the vital presence of the Book of the Dead in Finnegans Wake, which refers to ancient Egypt in countless tags and allusions." [174] Joyce uses the Book of the Dead in Finnegans Wake, "because it is a collection of the incantations for the resurrection and rebirth of the dead on the burial". [175]
The work gives both a general critical overview of Finnegans Wake and a detailed exegetical outline of the text. [1] According to Campbell and Robinson, Finnegans Wake is best interpreted in light of Giambattista Vico's philosophy, which holds that history proceeds in cycles and fails to achieve meaningful progress over time. [2]
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First edition. Our Exagmination Round His Factification for Incamination of Work in Progress is a 1929 collection of critical essays, and two letters, on the subject of James Joyce's book Finnegans Wake, then being published in discrete sections under the title Work in Progress.
The Irish novelist Edna O'Brien remarked that "H. G. Wells said that Finnegans Wake was an immense riddle, and people find it too difficult to read. I have yet to meet anyone who has read and digested the whole of it—except perhaps my friend Richard Ellmann." [9] Ellmann uses quotations from Finnegans Wake as epigraphs in his biography.
The Ballad of Persse O'Reilly is a song in book one of James Joyce's novel Finnegans Wake (pages 44.24 to 47.32), where the protagonist H.C.E. has been brought low by a rumour which begins to spread across Dublin, apparently concerning a sexual trespass involving two girls in Phoenix Park; however details of HCE's transgression change with each retelling of events.
Campbell was a noted scholar of James Joyce, having co-authored A Skeleton Key to Finnegans Wake with Henry Morton Robinson. Campbell borrowed the term monomyth from Joyce's Finnegans Wake. In addition, Joyce's Ulysses was also highly influential in the structuring of the archetypal motif.
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