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Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12–1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets: Pindar in 1.12, Sappho in 1.13, Alcaeus in 1.14, Bacchylides in 1.15, Stesichorus in 1.16, Anacreon in 1.17, and Alcaeus ...
Odes 1.1, also known by its incipit, Maecenas atavis edite regibus, is the first of the Odes of Horace. [1] This ode forms the prologue to the three books of lyrics published by Horace in 23 BC and is a dedication to the poet's friend and patron, Maecenas . [ 2 ]
He composed a controversial version of Odes 1.5, and Paradise Lost includes references to Horace's 'Roman' Odes 3.1–6 (Book 7 for example begins with echoes of Odes 3.4). [113] Yet Horace's lyrics could offer inspiration to libertines as well as moralists, and neo-Latin sometimes served as a kind of discrete veil for the risqué.
Odes 1.5, also known as Ad Pyrrham ('To Pyrrha'), or by its incipit, Quis multa gracilis te puer in rosa, is one of the Odes of Horace. The poem is written in one of the Asclepiadic metres [ 1 ] and is of uncertain date; not after 23 BC.
Odes 1.23, also known as Ad Chloen ('To Chloe'), or by its incipit, Vitas inuleo me similis, Chloe, is one of the Odes of Horace. The poem is written in the fourth Asclepiadean metre, and is of uncertain date; not after 23 BC.
The dramatic date of the Epodes is around the Battle of Actium, here imagined by Justus van Egmont.. Horace began writing his Epodes after the Battle of Philippi in 42 BC. He had fought as a military tribune in the losing army of Caesar's assassins and his fatherly estate was confiscated in the aftermath of the battle.
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Pindaric odes follow the form and style of Pindar. Horatian odes follow conventions of Horace; the odes of Horace deliberately imitated the Greek lyricists such as Alcaeus and Anacreon. Irregular odes use rhyme, but not the three-part form of the Pindaric ode, nor the two- or four-line stanza of the Horatian ode. The ode is a lyric poem.