Search results
Results from the WOW.Com Content Network
I'm from Rolling Stone is a MTV reality television show directed by Norman Green. [1] It began airing in January 2007 and was planned for ten episodes. Six aspiring music journalists were given the summer internships in hopes of getting a contributing editor position at Rolling Stone magazine.
After taking over ownership of The Voice, Barbey named Joe Levy, formerly of Rolling Stone, as interim editor in chief, [42] and Suzan Gursoy, formerly of Ad Week, as publisher. [43] In December 2016, Barbey named Stephen Mooallem, formerly of Harper's Bazaar, as editor in chief. [44]
Joe Levy of Rolling Stone explained that the record is "the stuff of which legends are made", and summed it up as "more joyful and intense than anything else I've heard this year". [50] Robert Christgau , writing in The Village Voice , described the Strokes as "a great groove band", and noted that "the beats implode, clashing/resolving with ...
Rolling Stone and Wenner are chronicled in three books, Gone Crazy and Back Again by Robert Sam Anson, Rolling Stone: The Uncensored History by Robert Draper, and Sticky Fingers:The Life and Times of Jann Wenner and Rolling Stone Magazine by Joe Hagan. Robin Green's memoir The Only Girl covers the time she worked at Rolling Stone. [15]
According to Rolling Stone 's Joe Levy, "Sabbath ruled for bummed-out kids in the Seventies" and "nearly every heavy-metal and extreme rock band of the last three decades", including Metallica, Nirvana and Slipknot, "owes a debt of worship" to Iommi's "crushing" guitar riffs, Ward and Butler's "Visigoth rhythm section" and Osbourne's "agonized ...
Joe Levy of Rolling Stone suggested that the track "may be carving out a role for [Gomez] as a pop torch singer", describing it as "moody and catchy without being obvious". [31] In comparison with Gomez's previous single "Good for You", Joe Coscarelli of The New York Times viewed "Same Old Love" as the more obvious single choice. [32]
Another critic to highlight Bloomfield's contribution on guitar was Joe Levy of Rolling Stone. [38] Bill Janovitz of AllMusic, despite remarking that the musicians seem to be out of time with each other, gave a positive assessment, and argued that with songs like "Tombstone Blues", Dylan opened up new possibilities for other artists. [39]
Several reviewers, including Joe Levy for Rolling Stone, John Mulvey of Uncut, and David Williamson of the Western Daily Mail were pleasantly surprised by how much they enjoyed the remixed track. Levy thought that the track had "los[t] some of the spite in the process", but felt that listeners should be grateful for how true to the original the ...