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Leon is reincarnated in the body of El Chino Valdez and, in turn, El Chino's soul ends up in the body of a professor of anthropology, Beltran Camacho, who dies in a car accident. Now, each man will not only have to deal with a new body, but also adapt to a new soul. Leon now in the body of El Chino leaves El Chino's family and immigrates to Mexico.
Two Gentlemen of Verona by Angelica Kauffman (1789). The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written between 1589 and 1593.It is considered by some to be Shakespeare's first play, [a] and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is ...
Someone Has to Die (Spanish: Alguien tiene que morir) [2] is a Spanish-Mexican thriller television limited series created by Manolo Caro, creator of the Netflix series The House of Flowers. [3] The series takes place in 1950s Spain and consists of three episodes revolving around a conservative and traditional society during the Franco regime ...
Ada's red dress from the original version of the game is initially covered by a beige trench coat in the remake, which Kadoi said was a more "realistic" and "believable" look for a spy. [52] Ada and Leon's relationship is further explored in Resident Evil 4 and its "Separate Ways" minigame.
Juan Pando of Fotogramas rated the film 3 out of 5 stars, singling out the chemistry between León and Alterio as the best thing about the buddy movie. [10]Irene Crespo of Cinemanía rated Co-Husbands 3 out of 5 stars, concluding that it is not just another Spanish family comedy film.
El Súper is a 1979 Spanish-language comedy-drama film directed by Leon Ichaso and Orlando Jiménez Leal, based on a stage play by Iván Acosta. The film is a look at life in the U.S. from the perspective of frustrated Cuban exiles.
Jonathan Holland of The Hollywood Reporter summed up the film as "feel-good fun, interestingly twisted". [7]Andrea G. Bermejo of Cinemanía rated the film 4 out of 5 stars, finding (positively) surprising "the elegance with which Paco León tells his stories, the warm photography, the comedy, and the careful aesthetics of the film".
El Comercio negatively criticized the film, saying, "El gran León is the creative laziness of the director, who in most of the film is dedicated to tracing, sometimes shot by shot, the original version... In the original version, the main actor achieves a character full of charm, sympathy, intelligence, and even a share of sadness, melancholic ...