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Birdeatsbaby is an English progressive rock band from Brighton, United Kingdom, formed in 2008.At their start, the band's music was considered to be within the dark cabaret genre, but later began to incorporate aspects of heavy metal, klezmer and other musical styles. [1]
Other past contributors and recipients have included Pallas, IQ, Spock's Beard, Flower Kings, Mostly Autumn, Karnataka, Pendragon and many others from the progressive rock genre. Best Live Gig – Classic Rock Society 2004, 2008 and 2012; Best Band – Classic Rock Society 2005, 2008; Best Album – Seven – Metal Hammer, Poland
Between 2001 and 2012, the CRS was operated as a limited company, Classic Rock (UK) Ltd, before reverting to a society. The CRS announced its closure on 7 March 2019. CRS founder Martin Hudson, former director Kris Hudson-Lee and long-serving writer James R Turner, founded Spirit of Progressive Rock in 2019 to pick up where the CRS left off.
IQ are a British neo-prog band founded by Mike Holmes and Martin Orford in 1981 [2] following the dissolution of their original band The Lens.. Although the band have never enjoyed major commercial success and had several lineup changes, IQ have built up a loyal following over the years and are still active as of 2024, currently with the original recording line-up (with the exception of Orford).
The band briefly flourished in the progressive rock heyday of the early 1970s, and then retired to other musical activities before reforming for a one-off reunion in 2009. Subsequently, Gryphon played some gigs in 2015, featured at the Cropredy Festival in 2016, and in 2017, an invitation to a ProgRock festival in Portugal, and in the UK, the ...
They now play together on an occasional basis, and played two 30th anniversary gigs at The Peel, Kingston-upon-Thames, London on 31 May, and at The Boardwalk on 1 June 2008, [1] at which six new songs were performed.
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Formed in 1974 as 'Rainbow', they dropped the name after Ritchie Blackmore left Deep Purple and called his new band Rainbow. [1] Pallas began hitting the club circuit at the beginning of a grassroots revival of full-blown progressive rock, which, at the time, was extremely unfashionable due to the overwhelming influence of pop and new wave. [1]