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Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International.
Richard Wagner's works for the stage, representing more than 50 years of creative life, comprise his 13 completed operas and a similar number of failed or abandoned projects. His first effort, begun when he was 13, was a prose drama, Leubald , but thereafter all his works were conceived as some form of musical drama.
Wilhelm Richard Wagner (/ ˈ v ɑː ɡ n ər / VAHG-nər; [1] [2] German: [ˈʁɪçaʁt ˈvaːɡnɐ] ⓘ; 22 May 1813 – 13 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas").
The Wagner-Werk-Verzeichnis (Catalogue of Wagner's Works), abbreviated WWV, is an index and musicological guide to the 113 musical compositions and works for the stage by Richard Wagner. It includes guidance on editions of the published works and explanations of historical performance practices.
Musical compositions by Richard Wagner. Subcategories. This category has the following 2 subcategories, out of 2 total. O. Operas by Richard Wagner (3 C, 20 P) S.
Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner.The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied.
Das Rheingold (pronunciation ⓘ; The Rhinegold), WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen (English: The Ring of the Nibelung).
Richard Wagner. Like his libretti, Wagner's operatic scores generally passed through a series of distinct stages from sketch to fair copy; but because the composer altered his method of musical composition several times during the writing of the Ring, there is not the same uniformity in the evolution of the music that we find in the texts.
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