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Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
The headpiece, called a skaut, is worn by married women from Hardanger. Other headpieces are worn by Hardanger women, including beaded caps worn by young girls, and headband-like wraps worn by young unmarried women. (See also Hardangerbunad) Bunad (Norwegian: [ˈbʉ̂ːnɑd], plural: bunader/bunadar) is a Norwegian umbrella term.
The pagan Vikings, especially the women, dressed rather differently from most of Europe, with uncovered female hair, and an outer frock made of a single length of cloth, pinned with brooches at both shoulders. Under this they wore a sleeved undergarment, perhaps with an intervening wool tunic, especially in winter, when a jacket could be added ...
Bunad is a Norwegian umbrella term encompassing a range of both traditional rural clothes mostly dating to the 19th and 18th centuries as well as 20th-century folk costumes. In its narrow sense, the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes.
An escoffion ([ɛsˈkɔfiˌjã]) is a piece of female medieval headwear which was popular during the Late Middle Ages (1250–1500). It originated and was popular in European countries such as England, France and Germany, and several Balkan states. The headpiece was made out of a thick, circular roll of material like wool, felt or silk.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
The Ringerike style can also be seen in English manuscripts, and there are also some carvings in ivory which are done in this style. The Urnes style is named after the detailed designs on the carved doors of Urnes Stave Church in the Sognefjord. The style has influenced English Christian art. [1] The main symbol of the Viking Age is the Viking ...
Various writers on costume history use hennin to cover a variety of different styles. Almost all agree that the steeple-cone style was a hennin, and the truncated ("flowerpot") versions. Many also include the heart-shaped open-centred escoffion. Some also use the term to cover beehive-shaped fabric head-coverings of the mid-century .
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