Search results
Results from the WOW.Com Content Network
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900 [1] and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale." [2] Carrillo developed this theory in 1895 [3] while he was experimenting with his violin.
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
Semantic Daniélou-53. The semantic system is based on a microtonal musical scale tuned in just intonation, developed by Alain Daniélou.. For Daniélou, the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries.
In 1900, Carrillo attended the International Congress of Music in Paris, presided by Camille Saint-Saëns. He presented a paper, which the Congress accepted and published, on the names of musical sounds. He proposed that, since each note is one sound, each note name (C, D flat, etc.) should be a single syllable. He proposed 35 monosyllabic names.
The most important works include his String quartets, which document and demonstrate the development of the composer's style (microtonal music and his most innovative opera: "Matka" (Mother). Hába's first microtonal composition is Suite , op.1a from 1918, his earliest published mictrotonal piece is the 2nd Quartet (1920) and his last was the ...
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments.He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison.
His professional debut (12 note ET music) occurred on a Composers Forum program in New York, 1959. In 1960, compelled by his ear, he began writing microtonal music, and continued to do so for the rest of his life, with the occasional exception being taped music for dancers.