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The Passio secundum Joannem or St John Passion [a] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. [1] It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St ...
The St John Passion, BWV 245 is the first Passion Bach composed during his tenure as Thomaskantor in Leipzig, a tenure that started after the Easter season of 1723. Apart from the German translation of parts of the Gospel of St John and several Lutheran chorales, it used text of the Brockes Passion for its arias.
The structure of the St John Passion (German: Johannes-Passion), BWV 245, a sacred oratorio by Johann Sebastian Bach first performed in Leipzig on Good Friday 1724, is "carefully designed with a great deal of musico-theological intent". [1]
St. John Passion, Bach's last revision (1749), BDW 00310; BWV 247 – St Mark Passion (Markus-Passion) (libretto is extant; although the music is lost much of it is reconstructable based on associated compositions) BWV deest – Weimarer Passion (lost, music partially recuperated in other compositions), BDW 01533
The tradition of the German oratorio Passion began in Hamburg in 1643 with Thomas Selle’s St John Passion and continued unbroken until the death of Carl Philipp Emanuel Bach in 1788. The oratorio Passion, made famous by Johann Sebastian Bach in his St John Passion and St Matthew Passion, is the style that is most familiar to the modern ...
Recordings of the St John Passion are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's St John Passion, BWV 245. The selection is taken from the 241 recordings listed on bach-cantatas as of 2015.
Felix Mendelssohn significantly contributed to the renewed interest in Bach's work with his 1829 Berlin performance of the St Matthew Passion, which was instrumental in setting off what has been called the Bach Revival. The St John Passion saw its 19th-century premiere in 1833, and the first performance of the Mass in B minor followed in 1844.
Johann Sebastian Bach – St John Passion (1724) Johann David Heinichen – L'aride tempie ignude, passion oratorio (1724?) Francesco Maria Veracini – L'empietà distrutta nella caduta di Gerico (1724) Johann Sebastian Bach – Easter Oratorio (1725) Johann Sebastian Bach – St Matthew Passion (1727) Johann David Heinichen – Come?
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