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The Ethnic Māori flag uses the colours: black, red ochre, and white or silver. Each of the colours references a realm in the creation story of Māori mythology: black is Te Korekore (potential being), red is Te Whai Ao (coming into being), and white is Te Ao Mārama (the realm of being and light). [1]
The women's softball team is known as the White Sox, [24] and the women's cricket team is known as the White Ferns. At the 2020 Summer Olympics, New Zealand rowers wore white tops instead of black to help counteract Tokyo's hot and humid climate. [25] [26] In the 1980s, the national cricket team wore beige and brown as their colours. [27]
McCahon is best known for his large paintings with dark backgrounds overlaid with religious texts in white. He was also an extensive landscape painter and was inspired in part by the writings of New Zealand geologist Sir Charles A Cotton [ 5 ] in The Geomorphology of New Zealand (3rd ed. 1942), a scientific text that examined landscape forms ...
Europeans began producing art in New Zealand as soon as they arrived, with many exploration ships including an artist to record newly discovered places, people, flora and fauna. The first European work of art made in New Zealand was a drawing by Isaac Gilsemans, the artist on Abel Tasman's expedition of 1642. [16] [17]
She has been a three-time finalist in the Adam Portraiture Award, in 2008 with her mystical landscape/portrait painting "From Hikurangi to Hibernia", in 2010 with her surreal self-portrait "Effulgent Self" and in 2012 with her 2-metre-wide black and white portrait "The Other Sister". In September 2010 Sofia judged the North Shore City Art ...
Kahukiwa's work often deals with themes of colonialism and the dispossession of indigenous people, motherhood and blood-ties, social custom and mythology. [9] In a 2004 article, Kahukiwa implements "political activism in subject matter and method into powerful images that assert Māori identity and tradition."
A white-presenting woman from New Zealand claimed that she was barred from exhibiting her painting at an exhibition presenting Māori artists, because she isn’t part of the indigenous community.
Te Maori (or sometimes Te Māori in modern sources) was a landmark exhibition of Māori art (taonga [Note 1]) that toured the United States from 1984 to 1986, and Aotearoa New Zealand from 1986 to 1987 as Te Maori: Te Hokinga Mai ('the return home').
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