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Reuel Molina Aguila and Eugene Evasco were this year's Palanca Hall of Fame awardees. Aguila clinched his fifth first prize for “Ngunit Wala Akong Litrato Noong Nasa Kolehiyo Ako” under the Sanaysay category. Evasco clinched his fifth first prize for “May Tiyanak Sa Loob Ng Aking Bag” under the Tulang Pambata category.
This year saw the inclusion of a new a new category, Future Fiction, open for short stories that deal with the future of the Philippines or the future of Philippine writing, in English and Filipino. [1] Roberto T. Añonuevo, Jose Y. Dalisay Jr., and Edgardo B. Maranan were this year's Palanca Hall of Fame awardees.
Kasadya ni'ng Táknaa Dapit sa kahimayaan. Mao ray among nakita, Ang panagway nga masanagon. Buláhan ug buláhan Ang tagbaláy nga giawitan. Awit nga halandumon, Ug sa tanang pasko magmalípayon. Bag-ong tuíg, bág-ong kinabúhì. Dinuyogan sa átong mga pagbati. Atong awiton ug atong laylayon Aron magmalípayon. Kasadya ni'ng Táknaa Dapit ...
Unlike English, many languages do not employ two separate words to denote the activities of written and live-communication (oral or sign-language) translators. [g] Even English does not always make the distinction, frequently using "translating" as a synonym for "interpreting." Interpreters have sometimes played crucial roles in human history.
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At the request of two Carmelite nuns, Ocampo translated the lyrics into English for non-Kapampangan speakers. [ 2 ] After the lyrics were finalized, the provincial government organized a songwriting competition for the hymn's melody, which was won by Monsignor Gregorio Canlas, known in Pampanga for his church hymns. [ 2 ]
Isang Landas ng Pag-unawa sa Loob ng Tao (Loob: Filipino philosophy of relational interiority), drawing influence from Sikolohiyang Filipino, and the Eastern and Western philosophical traditions; and collections of Tagalog poetry in Sanayan lang ang Pagpatay (Killing is a matter of practice, 1993); and Nabighani: Mga Saling Tula ng Kapwa ...
These albums include the songs Huling Balita (Last News), Martsa ng Bayan (March of the Nation), the lullaby Meme Na (Sleep Now) and Pitong Libong Pulo (Seven Thousand Islands). His themes and the Filipino lower-class characters in his songs evolved from the political and social realities during the decade of Marcos despotism in the 1970s.