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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
It depicts a young Jesus with the Virgin Mary and Saint Joseph (the three of whom make up the Holy Family, the earthly trinity of the painting's title), together with God the Father and the Holy Spirit (who with Christ as God the Son form the Holy Trinity).
In The Vatican Museum in Rome is a carved stone sarcophagus depicting the Holy Trinity as three bearded men during the creation of Eve. [6] The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they ...
A mosaic scene of the Crucifixion of Christ at Holy Trinity-St. Nicholas Greek Orthodox Church. ... A goal you hear often in the Orthodox church is to “create heaven on earth,” whether it be ...
The subject of The Trinity received various interpretations at different time periods, but by the 19th–20th century the consensus among scholars was the following: the three angels who visited Abraham represented the Christian Trinity, "one God in three persons" – the Father, the Son (Jesus Christ), and the Holy Spirit. [12]
At least in later Orthodox images, each bar of this cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ. In mosaics in Santa Maria Maggiore (432–40) the juvenile Christ has a four-armed cross either on top of his head in the radius of the nimbus, or placed above the radius ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
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