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Early American molded glass refers to glass functional and decorative objects, such as bottles and dishware, that were manufactured in the United States in the 19th century. . The objects were produced by blowing molten glass into a mold, thereby causing the glass to assume the shape and pattern design of the m
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
A pattern made by using opalescent glass that was a copy the Polka Dot Victorian pattern. [13] Dragon and Lotus This pattern is possibly available in more colors than other patterns. [14] Hobnail An even arrangement of bumps similar to that found on the bottom parts of hobnail boots. [15] Open Edge Also referred to as Basket weave.
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
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