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A more typical consumer zoom will have a variable maximum relative aperture since it is harder and more expensive to keep the maximum relative aperture proportional to the focal length at long focal lengths; f /3.5 to f /5.6 is an example of a common variable aperture range in a consumer zoom lens. By contrast, the minimum aperture does not ...
Camera lenses often include an adjustable diaphragm, which changes the size of the aperture stop and thus the entrance pupil size. This allows the user to vary the f-number as needed. The entrance pupil diameter is not necessarily equal to the aperture stop diameter, because of the magnifying effect of lens elements in front of the aperture.
Numerical aperture of a thin lens. Numerical aperture is not typically used in photography. Instead, the angular aperture of a lens (or an imaging mirror) is expressed by the f-number, written f /N, where N is the f-number given by the ratio of the focal length f to the diameter of the entrance pupil D: =.
Very-large-aperture lenses designed to be useful in very low light conditions with apertures ranging from f/1.2 to f/0.9 are generally restricted to lenses of standard focal length because of the size and weight problems that would be encountered in telephoto lenses and the difficulty of building a very wide aperture wide angle lens with the ...
Lens speed is the maximum aperture diameter, or minimum f-number, of a photographic lens. A lens with a larger than average maximum aperture (that is, a smaller minimum f-number) is called a "fast lens" because it can achieve the same exposure as an average lens with a faster shutter speed. Conversely, a smaller maximum aperture (larger minimum ...
f = the focal length of the lens in cm; a = the ratio of the aperture to the focal length; That is, a is the reciprocal of what we now call the f-number, and the answer is evidently in meters. His 0.41 should obviously be 0.40. Based on his formulae, and on the notion that the aperture ratio should be kept fixed in comparisons across formats ...
The lens design can be changed even more: in colour apodization the lens is modified such that each colour channel has a different lens aperture. For example, the red channel may be f /2.4, green may be f /2.4, whilst the blue channel may be f /5.6. Therefore, the blue channel will have a greater depth of field than the other colours.
A "slow" lens (one that is not capable of passing a lot of light through) might have a maximum aperture from 5.6 to 11, while a "fast" lens (one that can pass more light through) might have a maximum aperture from 1 to 4. Fast lenses are, by definition, larger than slow lenses (for comparable focal length), and typically cost more. [2]
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