Search results
Results from the WOW.Com Content Network
In 2004, a classic Indian film, Mughal-e-Azam, was colored for theatrical release all over the world by the Indian Academy of Arts and Animation (IAAA) in association with Sankranti Creations. Since 2013, Livepixel Technologies, founded by Rajeev Dwivedi has been the sole player in film colorization business and almost completed more than 100 ...
Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
In 1960, after twelve years in production, Mughal-e-Azam was released and became a huge hit at packed cinema houses across India. [1] After the release and success of Mughal-e-Azam, Asif planned yet another motion picture called Love and God, his first directorial venture to be made completely in color, and began production.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Mughal-e-Azam was in the making for over a decade and was originally shot in black and white, with only two songs and the climax scenes shot in colour. 44 years after its original release, it was fully colourised and theatrically re-released in 2004 and was once again a box office success.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The decade-long principal photography for Mughal-e-Azam came to an end in May 1959 and left her exhausted, both physically and mentally, to a point that she began considering a retirement. [109] Mughal-e-Azam was first of Madhubala's two films in colour; it had four reels shot in Technicolor. [110]