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Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
In 1960, after twelve years in production, Mughal-e-Azam was released and became a huge hit at packed cinema houses across India. [1] After the release and success of Mughal-e-Azam, Asif planned yet another motion picture called Love and God, his first directorial venture to be made completely in color, and began production.
Mughal-e-Azam was in the making for over a decade and was originally shot in black and white, with only two songs and the climax scenes shot in colour. 44 years after its original release, it was fully colourised and theatrically re-released in 2004 and was once again a box office success.
Maganlal Dresswala or Maganlal Dresswala & Co. is a noted costumer and costume designer for Bollywood productions. Established in 1926 as a small shop in Kalbadevi, Mumbai, it is most known for its period costumes, in Ram Rajya (1943) Mughal-e-Azam (1960) and Anarkali (1953), and mythological TV series Ramanand Sagar's Ramayan (1987-1988) and B.R. Chopra's Mahabharat (1988-1990).
The decade-long principal photography for Mughal-e-Azam came to an end in May 1959 and left her exhausted, both physically and mentally, to a point that she began considering a retirement. [109] Mughal-e-Azam was first of Madhubala's two films in colour; it had four reels shot in Technicolor. [110]
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The 8th Filmfare Awards were held in Bombay to honor the best films in Hindi cinema in 1961.. K. Asif's magnum opus Mughal-e-Azam led the ceremony with 11 nominations, followed by Chaudhvin Ka Chand with 6 nominations and Parakh with 5 nominations.
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