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St. Francis in Ecstasy (or St. Francis in the Desert) is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. Bellini depicted the religious figure of St. Francis of Assisi in a landscape. [1] In 1852, the painting was listed on June 19 at Christie's. It was part of the 1857 Manchester Art ...
The lines which traverse the painting are symbols of running water which link the waterholes represented by the open circles. The dots represent the falling rain. The painting shares similar elements to that of other Water Dreaming paintings in that the ceremonial Water Man sings to beckon the rain which then flows into the waterholes from ...
St. Jerome and the Lion (also known as St. Jerome Extracting the Thorn [1] or Saint Jerome in the Desert) is an oil on oak panel painting by Rogier van der Weyden or his studio from c. 1450–1465, showing Jerome and a lion. It is now in the Detroit Institute of Arts. This painting was part of a renewed interest in depictions of St. Jerome. [2]
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
Saint Jerome in the Wilderness is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated c. 1480–1490. [n 1] A recent study linked to the Lady with an Ermine carried out by Leonardo da Vinci at the same time supports this hypothesis. [1]
Christ in the Desert or Christ in the Wilderness [2] [3] (Russian: Христос в пустыне, romanized: Khristos v pustyne) is an 1872 painting by Russian artist Ivan Kramskoi, reflecting the temptation of Christ. Kramskoi was offered a professorship for the painting by the Russian Academy of Arts Council but rejected it in the ...
The painting was previously in the Fitzwilliam Museum of Cambridge, and was later bought by the London museum. St. Jerome was a common subject of art at the time. Dürer for this work was probably inspired by similar depictions by Giovanni Bellini, or other artists influenced by Andrea Mantegna.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
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