Search results
Results from the WOW.Com Content Network
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Centers of study in the mid-11th century: monastic schools in green, episcopal schools in orange. One part of medieval historiography does not dispute the phenomenon of the renaissance of the 11th century, but it does question its abruptness and rather sees “a longer evolution which, beginning in the tenth century, confidently expands in the second half of the eleventh century. "[12] In this ...
Jean-Jacques Ampère was the first writer to speak of a medieval renaissance. The term 'renaissance' was first used as a name for a period in medieval history in the 1830s, with the birth of medieval studies. It was coined by Jean-Jacques Ampère. Charles H. Haskins published The Renaissance of the Twelfth Century in 1927
Renaissance – cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era , but since the changes of the Renaissance were not uniform across Europe, this is a general use of the term.
The Renaissance (French for 'rebirth') was a period in European history in the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and ...
antonym: a word with the exact opposite meaning of another word; an antithesis: often shown in opposite word pairs such as "high" and "low" (compare with "synonym") apronym : a word which, as an acronym or backronym, has a meaning related to the meaning of the words constituting the acronym or backronym; such as PLATO for "Programmed Logic for ...
The world itself is text; a reference to a pure meaning prior to language cannot be expressed in it. [38] As he stressed, "the subject is not some meta-linguistic substance or identity, some pure cogito of self-presence; it is always inscribed in language". [39] Michel Foucault challenged the foundational aspects of Enlightenment humanism. [40]
The nature of the Renaissance also changed in the late 15th century. The Renaissance ideal was fully adopted by the ruling classes and the aristocracy. In the early Renaissance artists were seen as craftsmen with little prestige or recognition. By the later Renaissance, the top figures wielded great influence and could charge great fees.