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Daniel Cody Muller, generally known as Dan Muller (1889–1976) was a cowboy, an artist, illustrator, and writer of the American West.Having grown up on a ranch, he learned to break in horses, a skill he utilized for the United States Army during World War I.
John E. Ferneley (18 May 1782 Thrussington, Leicestershire – 1860 Melton Mowbray, Leicestershire), was an English painter who specialised in portraying sporting horses and hunting scenes. Although his rendition of horses was stylised, he is regarded as one of the great British equine artists, second perhaps only to George Stubbs .
Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
Lascaux, Horse, c. Stone Age cave painting George Stubbs, Whistlejacket, c. 1762, National Gallery, London. Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of ...
The Hobby Horse started publication in 1884 as the first high quality magazine committed solely to the visual arts. [3] "The Century Guild Hobby Horse" was one of the last (and in many ways the ultimate) versions of the literature and art journal, a genre born with the Pre-Raphaelite Germ in 1850.
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
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Harry Hall (c. 1814 – 22 April 1882) was an English equestrian painter, whose works were in demand by horse owners. His output was prolific and he was the foremost racehorse portraitist of his time: his style has been described as being "strikingly modern... when compared with many of his contemporaries". [ 1 ]
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