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Panasonic Lumix DMC-GX8 This page was last edited on 14 November 2016, at 08:28 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
The Panasonic Lumix DC-GH5M2, known as Lumix GH5II, is a mirrorless interchangeable-lens camera with a Micro Four Thirds mount, released by Panasonic on 25 June 2021. DC-GH5M2 evolved the video recording function that was very popular with the DC-GH5 and resolved issues such as autofocus and live streaming.
Panasonic collaborated with Sigma and Leica to form the L-mount Alliance on 25 September 2018, and license the L-mount system for their own lines of lenses and cameras. [11] 2019; in 2019 Panasonic announced the release of its new S-series line of mirrorless cameras. [12] The first Panasonic cameras to offer a full frame (35mm) sensor size. (DC ...
F. DMC-F1; Panasonic Lumix DMC-FS3; Panasonic Lumix DMC-FS5; Panasonic Lumix DMC-FX37; Panasonic Lumix DMC-FX77; Panasonic Lumix DMC-FX90; Panasonic Lumix DMC-FX150
Panasonic Lumix DMC-GX9 (known as the Lumix DMC-GX7 MKIII in Japan) is a digital rangefinder-styled mirrorless interchangeable-lens camera announced by Panasonic in ...
The Panasonic Lumix DC-G9 is a Micro Four Thirds mirrorless interchangeable lens camera body announced by Panasonic at the end of 2017. [1]The Panasonic G9 is a more still-centric variant of the Panasonic Lumix DC-GH5: it can shoot up to 20 pictures per second in full resolution and with continuous focusing, interruption-free live view as well as raw recording.
The Panasonic Lumix DMC-LX10 (also DMC-LX15 in some markets and DMC-LX9 in Japan) is a 20 MP 1" sensor compact camera in the Lumix range, announced by Panasonic on September 19, 2016. [1] LX10 features an F1.4–2.8 equivalent Leica -branded zoom lens, 3" 1040k dot LCD, built-in flash, built-in wireless, and it can record 4K (Ultra HD) video at ...
The Panasonic Lumix DC-GH5 is a Micro Four Thirds mirrorless interchangeable lens camera body announced by Panasonic on 4 January 2017. [2]It is the first mirrorless camera capable of shooting 4K resolution video with 10-bit color with 4:2:2 chroma subsampling, along with recording in 4K 60p or 50p (but only in 8 bit).
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