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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Theme and some possible divisions. In music, division (also called diminution or coloration) [clarification needed] refers to a type of ornamentation or variation common in 16th- and 17th-century music [1] [irrelevant citation] in which each note of a melodic line is "divided" into several shorter, faster-moving notes, often by a rhythmic repetition of a simple musical device such as the trill ...
Canonic Variations on "Vom Himmel hoch da komm' ich her" The Carman's Whistle; Carmen Variations (Horowitz) Carol Symphony; Variations for Orchestra (Carter) Variations for Cello Solo; Chaconne in G minor; Variations on a Theme of Chopin (Mompou) Variations on a Theme of Chopin (Rachmaninoff) Cinque variazioni (Berio) Variations on a Theme of ...
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
The term note can refer to a specific musical event, for instance when saying the song "Happy Birthday to You", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when saying "the song begins with the same note repeated twice".
Variations on a Theme of Chopin (Russian: Вариации на тему Ф. Шопена, Variatsii na temu F. Shopena), Op. 22, is a group of 22 variations on Frédéric Chopin's Prelude in C minor (Op. 28, No. 20), composed by Sergei Rachmaninoff in 1902–03. In the first edition, it is noted that 3 of the variations and the final Presto ...
A range of effects for percussion and harp is the main feature of this variation. [14] Variation 7. Lento molto; In this variation Walton introduces a quotation from Hindemith's opera Mathis der Maler that resembles a theme in the Cello Concerto. (Hindemith had evidently not noticed the resemblance until he heard Walton's Variations.) [7] [15 ...