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The gayageum or kayagum (Korean: 가야금; Hanja: 伽倻琴) is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. [1]
So (소; 簫) – A pan flute; derived from the Chinese paixiao; used only in Munmyo jeryeak (Korean Confucian ritual music; Hun (훈; 塤) – A globular flute made of baked clay originating from prehistoric times; end-blown like a shakuhachi, unlike an ocarina (which is a whistle design). Derived from the Chinese xun
The educational standard is the North Korean standard language. Chinese Korean vocabulary is very similar to the North Korean standard, as is orthography; a major exception of orthography is that the spelling of some Chinese cities is different (for example, Hong Kong is referred to by the Sino-Korean name of 香港, 향항, Hyanghang, rather ...
Sino-Korean vocabulary includes words borrowed directly from Chinese, as well as new Korean words created from Chinese characters, and words borrowed from Sino-Japanese vocabulary. Many of these terms were borrowed during the height of Chinese-language literature on Korean culture. Subsequently, many of these words have also been truncated or ...
Ranging in style from the evocation of traditional genres to avant-garde experimentation, a selection of these pieces is available on a series of five albums. He was an emeritus professor of Korean music at Ewha Womans University. Hwang also taught a course entitled ″Introduction to Korean Traditional Music″ at Yonsei University in Seoul.
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The haegeum (Korean: 해금) is a traditional Korean string instrument, resembling a vertical fiddle with two strings; derived from the ancient Chinese xiqin.It has a rodlike neck, a hollow wooden soundbox, and two silk strings, and is held vertically on the knee of the performer and played with a bow.
The geomungo's place in Korean culture is traditionally that of a scholars' instrument for self-cultivation, much like ancient Chinese had done with the guqin in China. [2] However, the Koreans never adopted the guqin as a folk instrument but instead inherited the Confucian and literati guqin lore wholesale and applied it onto their own ...