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Bruce Eder of AllMusic said that the album "packed with great moments and different permutations of that sound: the powerful lead vocal and the Boots Randolph sax break on "I'll Say It's My Fault"; the haunting Orbison-Melson "Come Back to Me (My Love)," a vest-pocket romantic melodrama sung with operatic depth and played to a light rock & roll beat; Don Gibson's "I'd Be a Legend in My Time ...
It was released as one of two albums on one CD by Legacy Recordngs on February 26, 2008, along with Orbison's 1962 album, Crying. [11] Bear Family included this CD in the 2001 Orbison 1955-1965 box set. [12] Sony Music label included this CD in the 2013 Roy Orbison The Monument Box Set. [13]
The sandman puts him to sleep, and Orbison begins singing about dreams of his lover. Drums pick up the rhythm to follow the lyrics further into his subconscious, and a piano joins as the lyrics recount how Orbison spends time with her in his dreams, accompanied by breathy backup singers. Orchestra strings counter his melody, with the effect of ...
"Crying" is a song written by Roy Orbison and Joe Melson for Orbison's third studio album of the same name (1962). Released in 1961, it was a number 2 hit in the US for Orbison and was covered in 1978 by Don McLean , whose version went to number 1 in the UK in 1980.
Crying is the third album by Roy Orbison, released in 1962. [2] It was his second album on the Monument Record label. [ 3 ] The album name comes from the 1961 hit song of the same name.
Bruce Eder of AllMusic said that the album "is downright bracing and exciting, though it's easy to see why it never succeeded at the time -- numbers like "You're Gonna Cry" and "Problem Child" were a little too intense and ambitious as rock & roll, with too many changes and involved lyrics, to hold that audience en masse."
And it hits you as you get older," Nicole told the outlet, adding that "it's a wake up at 3 a.m. crying and gasping kind of thing." She continued, "If you're in it and not numbing yourself to it ...
At the time of release, Billboard noted "Working for the Man" was a "fine song" and "a smartly styled work song that reached a powerful climax". [5] The BBC noted, "Orbison could be playful.