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Tā moko is the permanent marking or tattooing as customarily practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Toi moko, or mokomokai, are the preserved heads of Māori, the indigenous people of New Zealand, where the faces have been decorated by tā moko tattooing. They became valuable trade items during the Musket Wars of the early 19th century. Many toi moko were taken from their family and homeland as trophies.
At this time, it was very unusual for a woman to be involved in this art form. She was inspired to get into tā moko by Robert Jahnke and Derek Lardelli. [6] [7] She says in an interview about being captured by the power of tā moko, ''I witnessed someone getting significant moko. I realised it was a powerful way for our community to claim ...
Kipa's moko work is just one aspect of his art practice that reflects an artist drawing on his cultural heritage in new and exciting ways, demonstrating how tradition and innovation are, in fact, one and the same. [6]: 26 In 2004 Kipa was a Te Waka Toi Inaugural Artist in Residence in the Jean-Marie Tjibaou Cultural Centre, Nouméa. [2]
New Zealand news website Stuff has described her as being at the "forefront" of the revival of tā moko. [8] She has designed and inked traditional tā moko all over New Zealand, and many customers request her work because she is one of few women who practice the art. [3] [6] [9] She uses modern tools as well as traditional uhi (chisels) carved ...
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The art declined in the 19th century following the introduction of Christianity, but in recent decades has undergone a revival. Although modern moko are in traditional styles, most are carried out using modern equipment. Body parts such as the arms, legs and back are popular locations for modern moko, although some are still on the face.
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