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Ashik Ağalar Mikayılov playing the saz Ashugh Jivani (center, playing the kamani) with instrumentalists Soviet stamp from 1962 devoted to Sayat-Nova's 250 anniversary.. An ashik (Azerbaijani: aşıq, azb:آشؽق; Turkish: âşık; —all from Azerbaijani: aç) or ashugh (Armenian: աշուղ; Georgian: აშუღი) [1]: 1365 [2] [3] is traditionally a singer-poet and bard who ...
Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 8 meter. This form and meter (usul in Turkish) is often confused with the completely different saz semaisi, an instrumental form consisting of three to four sections, in 10 8 meter, or usul aksak semai (broken semai in Turkish).
According to The New Grove Dictionary of Music and Musicians, "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (wind instruments). [2]
Described as "Turkey’s most beloved alternative music purveyors," [3] Baba Zula create a unique psychedelic sound, combining traditional Turkish instruments, electronica, reggae, and dub. The core of their sound is the saz, a Turkish bouzouki-like stringed instrument with a bright, high-pitched sound. [ 3 ]
Osman Murat Ertel (born 30 March 1964) is a Turkish musician. He is the son of Mengü Ertel and Ülfet Ertel.. He is one of the founders of the Zen and Baba Zula groups. While he was making improvised music with Zen, he also focused on his Turkish roots in Baba Zula and composed film and theater music with this group.
There are records of Turkish people calling into Egyptian, Crimean, and Haifan radio stations requesting Turkish songs they were used to listening to, since The Middle East already consumed and re-created a lot of Turkish Music since the rise of the Ottoman Empire in the middle of the millennium. [17]
The fasıl is a suite in Ottoman classical music.It is similar to the Arabic nawba and waslah.. A classical fasıl generally includes movements such as taksim, peşrev, kâr, beste, ağır semâ'î, yürük semâ'î, gazel, şarkı and saz semâ'î, played continuously without interludes and interconnected through aranağme arrangements.
Both groups incorporate Persian and Middle Eastern themes into their music. [1] Torkian composes music and plays several instruments, including the Iranian tar , the Turkish saz , and the GuitarViol , an electric guitar-like instrument that uses a bow and is adapted from a 14th-century instrument. [ 2 ]
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