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Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the Virgin of the Rocks and in his famous painting of the Mona Lisa. He described sfumato as "without lines or ...
By 1517, Leonardo da Vinci's The Last Supper had already started to deteriorate, as was noted in many diaries and letters of the time. The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself.
The technique in this portrait and in the "Mona Lisa" is called "sfumato," in which da Vinci blended colors and shades to get gradual transitions between different shapes in each painting.
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The braid motif is largely different, but can be found in the studio copies; researchers consider this work to be one of the arguments in favor of the theory that these copies are life-size prototypes of the painting in the Louvre. All Leonardo da Vinci's skills as a draughtsman can be seen in this work, in particular his mastery of the use of ...
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas , wood panel or copper for several centuries, spreading from Europe to the rest of the world.
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil , umber , and white lead pigments on a small poplar wood panel , its attribution remains controversial, with several experts ...
The Complete Paintings of Leonardo da Vinci. Penguin Classics of World Art series. ISBN 978-0-14-008649-2. Martin Davies (1961). Catalogue of the Earlier Italian Schools. National Gallery Catalogues, London. ISBN 978-0-901791-29-0. Frederich Hartt (1970). A History of Italian Renaissance Art. Thames and Hudson. ISBN 978-0-500-23136-4. Martin ...