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Examples of multi-neck guitars and lutes go back at least to the Renaissance. Today, the most common type of multi-neck guitar is the double-neck guitar, of which the most common version is an electric guitar with twelve strings on the upper neck, while the lower neck has the normal six.
The large four-string mandobass has a much longer neck and is tuned EADG, like a double bass or bass guitar. It was popular in early 20th century American and European mandolin ensembles. Early examples had very large bodies and were often played in an upright position like a double bass. [1]
In 1954, Semie built a triple-neck guitar in his garage (the longest neck was a standard guitar, the second-longest neck an octave higher, the shortest was an eight-string mandolin.) He presented a double-neck to Joe Maphis, a Los Angeles-area TV performer of country music.
Woody had a large collection of bass guitars (around 450), featured in his own bass instruction video and was held in high esteem for his playing. The Epiphone Rumble Kat signature bass was similar to two specially built double-neck instruments that Gibson made for him: a bass/guitar and a bass/mandolin
The steel-string acoustic guitar typically has a scale slightly shorter than the classical instrument, the most common scales ranging between short scale (24 inches (610 mm)) and long scale (25.5 inches (650 mm)). Small travel guitars and guitars specifically designed for children can have even shorter scales.
The mandobass is the bass version of the mandolin, just as the double bass is the bass to the violin. Like the double bass, it most frequently has 4 single strings, rather than double courses—and like the double bass, it is most commonly tuned to perfect fourths rather than fifths like most mandolin family instruments: E 1 –A 1 –D 2 –G ...
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