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Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.
The Tale of the Heike ' s origin cannot be reduced to a single creator. Like most epics (the work is an epic chronicle in prose rather than verse), it is the result of the conglomeration of differing versions passed down through an oral tradition by biwa-playing bards known as biwa hōshi.
The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia , eventually reaching Japan sometime during the Nara period (710–794).
Hōichi-dō (Hōichi's shrine) in Akama Shrine. Hoichi the Earless (耳なし芳一, Mimi-nashi Hōichi) is the name of a well-known figure from Japanese folklore. His story is well known in Japan, and the best-known English translation first appeared in the book Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn.
Akashi Kakuichi (明石 覚一, 1299 – 10 August 1371) also known as Akashi Kengyō (明石検校) was a Japanese Buddhist monk of the early Muromachi period of Japanese history, noted as the blind itinerant lute player (biwa hōshi) [1] who gave the epic Heike Monogatari its present form.
Hoshi or Hosi/Hoshni (星) is the Japanese word for "Star", and the Japanese word for a Buddhist "Priest" &/or "Monk" (僧, 法師 and 比丘). Hoshi may also refer to: People with the surname
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
[6]: 35 The biwa hoshi, itinerant blind priests, have a similar history with the instrument. [6]: 32 The chant which opens the kamioroshi ceremony makes several references to the plucked bow. The chant announces that the first pluck of the string calls down the gods of the village, the second calls down the gods of the prefecture, and the third ...