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Feminist art is a category of art associated with the feminist movement of the late 1960s and 1970s. Feminist art highlights the societal and political differences women experience in their lives. The goal of this art form is to bring a positive and understanding change to the world, leading to equality or liberation. [1]
The 1960s was a period when women artists wanted to gain equal rights with men within the established art world, and to create feminist art, often in non-traditional ways, to help "change the world". [4] This movement was actually started in America and Britain in the late 1960s and is often referred to as "second-wave" feminism.
Suffragists also held art exhibitions to raise money. Harriot Stanton Blatch convinced Louisine Havemeyer to loan part of her arts collection for shows at New York City's Knoedler Gallery in April 1912. [25] In 1915, an art show was held at the Macbeth Gallery to raise money for the women's suffrage campaign in New York state. [26]
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
The movement spread quickly through museum protests in both New York (May 1970) and Los Angeles (June 1971), via an early network called W.E.B. (West-East Bag) that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at ...
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts [2] and in literature [3] from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. [4]
Global Feminisms was a feminist art exhibition that originally premiered at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, New York City, United States, in March 2007. [1] [2] The exhibition was co-curated by Maura Reilly and Linda Nochlin and consists of work by 88 women artists from 62 countries.
MacKenny also writes that feminist performance Art had a large presence "in the late '60s and early '70s in America when, in the climate of protest constituted by the civil rights movement and second wave feminism." There are several movements that fall under the category of feminist performance art, including Feminist Postmodernism, which took ...