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Wilhelmina Margaret Geddes was born on her maternal grandparent's farm at Drumreilly Cottage in Leitrim on 25 May 1887. [2] She was the eldest of four children, three girls and a boy, of William Geddes (c.1852-1916) and his wife Eliza Jane Stafford (1863-1955).
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In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
Now, the pair offer services to restore and replace centuries-old glass, as well as designing new pieces on commission. "Over a career, it's amazing how many challenges you face," Ms Barnett said.
Alternatively they may be used for painting linear effects, or polychrome areas of detail. The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint".
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
He served as President of the Stained Glass Association of America, 1929–1930. [18] He was a member of the Philadelphia Board of Education (1934–1948), and organized art exhibitions that toured the city's public schools. [19] The University of Pennsylvania hosted a 1938 exhibition of D'Ascenzo's paintings, drawings and stained glass. [20]
Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. [1] He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury.
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