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"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.
The poem itself is a rather ungainly mixture of the two traditions, with an epic invocation typical of Italian poetry giving way to a much less epic story, more French in character. Despite these jarring styles, the part of the work which forms Anelida's complaint is one of the most highly regarded uses of the "lover's-complaint" motif.
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony –A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
Examples of common financial accounts are sales, accounts [1] receivable, mortgages, loans, PP&E, common stock, sales, services, wages and payroll. A chart of accounts provides a listing of all financial accounts used by particular business, organization, or government agency.
"Madras Central" is an English poem and the best known work of Vijay Nambisan, the Indian poet, writer and journalist. The poem won First Prize in the inaugural All India Poetry Competition conducted by The Poetry Society (India) in 1988. [1] The poem has received critical acclaim following its first publication in 1989.
An illustration of a ship from the Cædmon manuscript. The codex now referred to as the "Junius manuscript" was formerly called the "Cædmon manuscript" after an early theory that the poems it contains were the work of Cædmon; the theory is no longer considered credible, therefore the manuscript it is commonly referred to either by its Bodleian Library shelf mark "MS Junius 11", or more ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...