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The body of the dragon creates the form of the entire circular pendant highlighting, again, the themes of Art Nouveau by focusing on nature as the principal source of inspiration to create shapes and art. [3] A single ruby creates the dragon's eye and it is holding six diamonds within its vicious maw.
That these pendants were likely designed to drape down the owner’s shoulders or from a waistband is indicated by holes pierced for suspension through the creatures’ hindquarters. Toward the end of the Bronze Age when these pendants were created, sinuously curved dragons had become prominent motifs in many luxurious materials.
Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
Warring States period jade pendant with two dragon heads. Hong or jiang (Chinese: 虹; pinyin: hóng or jiàng; Wade–Giles: hung or chiang; lit. 'rainbow') is a Chinese dragon with two heads on each end in Chinese mythology, comparable with Rainbow Serpent legends in various cultures and mythologies.
The loop of the charm is the form of a dragon; the string would be placed between the legs and the tail of the dragon, while the dragon's head looks upward from the bottom of the charm. [212] [213] Another type of Chinese "treasure bowl" charm has the obverse inscription Zhaocai Jinbao (招財進寳), these charms have dragon-shaped swivel. [214]
Saint George Killing the Dragon, woodcut by Albrecht Dürer (1501/4) In a legend, Saint George—a soldier venerated in Christianity—defeats a dragon. The story goes that the dragon originally extorted tribute from villagers. When they ran out of livestock and trinkets for the dragon, they started giving up a human tribute once a day.
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