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Features mime, slapstick, and dialogue in a relatively colloquial Japanese language. Kyogen masks Kyogen mask Masks used in Kyogen theater (狂言面, kyogen-men), worn less frequently than in Noh. Primary types include: Buaku (武悪) - A mask for mischievous servant characters with bulging eyes and wrinkled features
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
A performer in a Hyottoko mask. Hyottoko seems to have been a legendary character in Japan in the past, and is now a stock character. In Iwate Prefecture, there is a myth about the origin of Hyottoko. In the story, there was a boy with a bizarre face who could create gold out of his belly button, so when someone died in a house, you would put ...
Noh masks (能面 nō-men or 面 omote) are carved from blocks of Japanese cypress (檜 "hinoki"), and painted with natural pigments on a neutral base of glue and crushed seashell. There are approximately 450 different masks mostly based on sixty types, [ 23 ] : 14 all of which have distinctive names.
Japanese festivals are traditional festive occasions often celebrated with dance and music in Japan.In Japan, festivals are called matsuri (祭り), and the origin of the word matsuri is related to the kami (神, Shinto deities); there are theories that the word matsuri is derived from matsu (待つ) meaning "to wait (for the kami to descend)", tatematsuru (献る) meaning "to make offerings ...
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh , a spiritual drama, and its comic accompaniment kyōgen ; kabuki , a dance and music theatrical tradition; bunraku , puppetry; and yose , a spoken drama.
Kyōgen, a traditional form of Japanese comic theatre that influenced the development of kabuki; Oshiguma, an imprint of the face make-up of kabuki actors, as artwork and souvenir; Noh, a traditional form of Japanese theatre; Bunraku, a traditional Japanese puppet theatre from whose scripts many kabuki plays were adapted