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The following 6 pages use this file: 100 great paintings from Duccio to Picasso; Still Life with Lobster, Drinking Horn and Glasses; Still life paintings from the Netherlands, 1550–1720; User:Jane023/100 great paintings from Duccio to Picasso; User:Jane023/Paintings in the National Gallery; User:Jane023/Still Life Paintings from the ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Like its doppelganger in Supper at Emmaus, the basket seems to teeter on the edge of the picture-space, in danger of falling out of the painting and into the viewer's space instead. In the Supper this is a dramatic device, part of the way in which Caravaggio creates the tension of the scene; here, trompe-l'œil seems to be almost the whole ...
Supports a range of annotation types. Annotations are stored separately from the unmodified PDF file, or (since version 0.15 with Poppler 0.20) can be saved in the document as standard PDF annotations. Evince: GNU GPL: Yes Yes Default PDF and file viewer for GNOME; replaces GPdf. Supports addition and removal (since v3.14), of basic text note ...
Still Life with a Sketch after Delacroix [2] is an oil painting by the French artist Paul Gauguin. The undated work is thought to have been painted during the artist's 1887 stay in Martinique . It was bequeathed to the Strasbourg museum by Raymond Koechlin [ fr ] (of the Koechlin family ) in 1931 and is now on display in the Musée d'Art ...
Colors are applied side by side with as little mixing as possible, creating a vibrant surface. The optical mixing of colours occurs in the eye of the viewer. Still life with Carafe and Lemons (F340) is an example of how Van Gogh used complementary colors, side-by-side, such as yellow lemons against its purple shadow. [50]
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