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I Am" (or "Lines: I Am") [1] is a poem written by English poet John Clare in late 1844 or 1845 and published in 1848. It was composed when Clare was in the Northampton General Lunatic Asylum [ 2 ] (commonly Northampton County Asylum, and later renamed St Andrew's Hospital), isolated by his mental illness from his family and friends.
A poem of the same name by Eavan Boland was written as a counter to Pearse's poem, and its treatment of Ireland and her children. [6] Pearse had already written optimistically on the fate of Ireland's strong sons' martyrdom in his poem "The Mother"; Is Mise takes the opposite, more pessimistic view of the sacrifice. [ 7 ]
Literal translation, direct translation, or word-for-word translation is a translation of a text done by translating each word separately without looking at how the words are used together in a phrase or sentence. [1] In translation theory, another term for literal translation is metaphrase (as opposed to paraphrase for an analogous translation).
A kenning (Old English kenning [cʰɛnːiŋɡ], Modern Icelandic [cʰɛnːiŋk]) is a circumlocution, an ambiguous or roundabout figure of speech, used instead of an ordinary noun in Old Norse, Old English, and later Icelandic poetry. This list is not intended to be comprehensive. Kennings for a particular character are listed in that character ...
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
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Meaning flows as the lines progress, and the reader's eye is forced to go on to the next sentence. It can also make the reader feel uncomfortable or the poem feel like "flow-of-thought" with a sensation of urgency or disorder.