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Scareware is a form of malware which uses social engineering to cause shock, anxiety, or the perception of a threat in order to manipulate users into buying unwanted software [1] (or products).
On the Writing of Speculative Fiction" is an essay by American science fiction writer Robert A. Heinlein. It was first published in 1947, also appearing in Writing Science Fiction & Fantasy: 20 Dynamic Essays By the Field's Top Professionals in 1993, and The Nonfiction of Robert Heinlein: Volume I in 2011. [1]
"Fenimore Cooper's Literary Offenses" is an essay by Mark Twain, written as a satire of literary criticism and as a critique of the writings of the novelist James Fenimore Cooper, that appeared in the July 1895 issue of North American Review. [1] [2] It draws on examples from The Deerslayer and The Pathfinder from Cooper's Leatherstocking Tales.
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The coverage of a fictional work should not be a mere plot summary. A summary should facilitate substantial coverage of the work's real-world development, reception, and significance. This means that an article about a work of fiction or elements from such works should not solely be a summary of the primary and tertiary sources , they should ...
Scareware: Claims your computer has a virus, then “scares” you to pay for fake antivirus software to remove it. Keylogging and screen scraping: Secretly records every keystroke and/or your ...
Samuel Taylor Coleridge, a philosopher and poet known for his influence on English literature, coined the turn-of-phrase and elaborated upon it.. Suspension of disbelief is the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for ...
Perrault's French fairy tales, for example, were collected more than a century before the Grimms' and provide a more complex view of womanhood. But as the most popular, and the most riffed-on, the Grimms' are worth analyzing, especially because today's women writers are directly confronting the stifling brand of femininity